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DISPOSABLE MEMORIES VIDEO
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VIDEO INSTALLATION, 2004-PRESENT
-Modified found televisions
-VHS and Betamax vcrs
-Amplifier and headphones
-Looped playback of 15-minute segments of found video material
Note: due to the ongoing nature of the work, the installation consists of an unspecified number of modified scrap TVs hooked up to vcrs on repeat -playback. The Tv monitors have as-found faults, distortions or modifications to the picture to add a form of anonymity to the found material
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Video - Installation work in progress, developing in parallel with 'Telephones', which conceptually consists of of 'amateur anthropology' mixed with 'electronic archaeology'. It has factual content and also touches upon the idea of voyeurism in its presentation in installation form.
Physically it consists of found video recordings filmed on obsolete analogue recording formats.
The core of the work, or at least its content, relies more on chance and coincidence than artistic intention, since the tapes are found dumped in old camcorders, and amongst whole collections of abandoned VHS cassettes picked up by the artist on night time rambles round the city. The lucky finds are then added to the collection. The found tapes show all kinds of scenes such as home life, communion and wedding ceremonies, family holidays and even intimate situations. As such they have an important documentary function beyond the mass media structure.
The collection process, the gathering of content material, is ongoing. Periodic multi- channel video installations, (made up out of playback machines found dumped and modified), are used as a way of making this material accessible to audiences.
What unites the collection are the unique irreplaceable home recordings captured on camcorders by everyday people, condemned to the rubbish skip. In many ways this indicates a dehumanising effect of the onward march of technology. Memories like this are considered worthless as people get rid of entire collections of recordings in favour of new digital formats.
Disposable memories video recontextualises this material, taking it far away from the home whilst, by means of the modified 'AnonyVision' video monitors, imposing a new aesthetic unity upon it. From here the viewers can make anthropological deductions about the participants in the videos. The motivation for recording, the scenes displayed, the actions captured, the aesthetics of the content right down to the life cycle and perceived usefulnes of the tapes and the process of their disposal can all be anaylsed. The tapes also serve as a glimpse of a past reality and as an alternative to the fictionalised TV representations of eras.
The installation reflects the considerable amount of material found in this way (an estimated 40 cassettes in less than 4 years, found on occasional neighbourhood wanderings mostly in the space of 2 square km). In most cases, the cassettes were in clear view of passers-by. Obtaining them generally consisted of nothing more complicated than picking them up off the street, or opening the lid of a bin and lifting them out. In some cases, the recordings were not domestic but industrial, such as the fifteen or so U-matic casting agency cassettes found on top of a central Madrid skip one lunchtime.
In most cases the found video cassettes were still perfectly playable (it is perhaps significant that of the 50 or so cassettes only 2 were physically damaged and initially unplayable). That no steps were taken to eliminate or erase these camera recordings prior to depositing them in th street suggests that it is almost as if the previous owner wanted them to be discovered, played back and talked about. If that is the case, Disposable memories: Video fulfills this wish!
installation one consisted of modified tv monitors displaying a looped collage of 15-minute segments.
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Disposable memories: Video (ESP: Memorias desechables: video) consiste conceptualmente en antropologia electronico y arqueologia tecnologico. Tiene contenido documental.
Fisicamente es una recompilacion de cintas de videos caseras en varios formatos analogicos 'obsoletos' encontrados en la basura. Depende mas en la casualidad y la suerte que 'intenciones artisticas' . La mayoría contienen toda clase de escenas | ||||||||||||||